Mina Kanto / Osvaldo Hernandez Napoles / Patricia Van Cauwenberg - Traditional percussion from Argentina’s Andean valleys
In an original and often humorous show, three percussionists already familiar to Jeunesses Musicales audiences will evoke the rich traditions of the Andean valleys of North-West Argentina on strange instruments of mixed ancestral origins, including the boleadora.
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€ 7 ( € 6.50) (No online buying service for this event.)
Martin Scorsese - USA – 1980 – fiction - black & white + color – 126’ – OV – STT NL / FR
Powerful evocation of the life and career of Italo-American boxer Jake La Motta and arguably one of Martin Scorsese’s best movies. A brilliant Robert De Niro plays the champion who wins in the ring while his private life disintegrates. Michael Chapman’s black-and-white photography is rich in contrasts and the fight scenes, filmed with rare intensity, are among the best ever.
With: Robert de Niro, Cathy Moriarty, Joe Pesci
Coprod. Flagey / Cinematek
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Arsen A. Ostojic - CR – 2004 – fiction - black & white – 100’ – OV – STT FR / NL
A handful of people come and go in the medieval quarter of Split in Croatia. A small-time dealer, a junkie in need of a fix, a widow and her young son, an adolescent couple and American soldiers on leave…their destinies cross and their lives change at midnight. This elegant black-and-white film by Arsen Anton Ostojic is powerfully engaging, at once poetic and subtle.
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Like the chance meeting of a sewing machine and an umbrella on an operating table, the PiXL trio performs a repertoire of original compositions drawing on various influences ranging from jazz to contemporary music and even rock. Both their writing – which sometimes pushes the boundaries of atonality – and the flexibility of their musical structures, give a fairly free reign to improvisation.
Xavier Roger: drums
Luc Evens: bass
Pierre Bernard :flute and compositions
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Shohei Imamura - J – 1989 – fiction – black&white - 122’ – OV - STT FR / NL
Rare film to tackle the subject of the atomic bombing of Japan at the end of World War Two. In his adaptation of Masuji Ibuse’s novel, Shohei Imamura (Ballad of Narayama’s) chose to keep a thematic and aesthetic distance. The film is austere, following the last few years in the lies of a family of Hiroshima survivors. Beautiful black-and-white camerawork in an unusual and affecting work.
'Pluie noire'
With: Kazuo Katimura, Estuko Ichihara
Flagey / Cinémathèque Royale de Belgique
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