Rainer Werner Fassbinder - D – 1982 – fiction – black & white – 104’ – OV – STT FR / NL
Fourth instalment in Fassbinder’s tetralogy about post-war Germany, shown through the portraits of four women (Lili Marleen, Maria Braun, etc). In this film the heroine is a former star of the film company UFA, now an alcoholic and drug addict facing a grim fate. Rosel Zech plays the lead, and Xavier Schwarzengerger’s black-and-white photography is remarkably well suited to the portrayal of this cold and cruel society with no place for generosity or dreams.
With: Rosel Zech, Hilmar Thate
Coprod. Flagey / Cinematek
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€ 7 ( € 5.50) (No online buying service for this event.)
Arsen A. Ostojic - CR – 2004 – fiction - black & white – 100’ – OV – STT FR / NL
A handful of people come and go in the medieval quarter of Split in Croatia. A small-time dealer, a junkie in need of a fix, a widow and her young son, an adolescent couple and American soldiers on leave…their destinies cross and their lives change at midnight. This elegant black-and-white film by Arsen Anton Ostojic is powerfully engaging, at once poetic and subtle.
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Max Ophuls - FR - D - 1955 - fiction - color - 110' - OV FR - STT NL
New print of Max Ophuls’ masterpiece put together by the Paris Cinemathèque that restored its original colours, stereophonic sound, editing and cinemascope format. Max’s son Marcel Ophuls helped on the project, with support from the Thomson Foundation and the Franco-American Cultural Funds, as well as several European Film Archives, including the Brussels Archives.
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The guitarist Nono García was born in Andalusia, the cradle of flamenco. During his studies in Grenada, he discovered jazz that, along with flamenco and Arab music, became the main inspiration for his highly personal style.
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UTZ is a Brazilian jazz fusion group that primarily plays pieces by the singer Renato Baccarat – compositions alive with typically Brazilian harmonic tones. But their songs also portray everyday situations such as the point of view of a stick held in a dog’s mouth and of a happy father elephant on the day of his son’s birth. It’s an eccentric world whose set draws on a selection of brasses and original arrangements.
Renato Baccarat – vocals, guitar
Alex Davidson – flute
Vincent Nouaille – horn
Thomas Champagne – sax alto
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